{"id":95,"date":"2016-08-30T18:20:16","date_gmt":"2016-08-30T16:20:16","guid":{"rendered":"https:\/\/www.cristianobaggio.com\/art\/art\/?page_id=95"},"modified":"2025-06-26T10:39:37","modified_gmt":"2025-06-26T08:39:37","slug":"biography","status":"publish","type":"page","link":"https:\/\/www.cristianobaggio.com\/art\/biography\/","title":{"rendered":"Biography"},"content":{"rendered":"\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-f8j7v-abb086d721b9587adf658fd097ebe591\">\n.avia-section.av-f8j7v-abb086d721b9587adf658fd097ebe591{\nbackground-repeat:no-repeat;\nbackground-image:url(https:\/\/www.cristianobaggio.com\/art\/wp-content\/uploads\/2016\/09\/cris.jpg);\nbackground-position:0% 0%;\nbackground-attachment:scroll;\n}\n<\/style>\n<div id='av_section_1'  class='avia-section av-f8j7v-abb086d721b9587adf658fd097ebe591 main_color avia-section-default avia-no-shadow  avia-builder-el-0  el_before_av_heading  avia-builder-el-first  avia-full-stretch 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https:\/\/www.cristianobaggio.com\/art\/wp-content\/uploads\/2016\/08\/DSC_0083-705x468.jpg 705w, https:\/\/www.cristianobaggio.com\/art\/wp-content\/uploads\/2016\/08\/DSC_0083-450x299.jpg 450w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/div><\/div><\/div><br \/>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-3r3kr-abc1c25487aaf2c68dcb21ba3575d7d5\">\n.avia-image-container.av-3r3kr-abc1c25487aaf2c68dcb21ba3575d7d5 img.avia_image{\nbox-shadow:none;\n}\n.avia-image-container.av-3r3kr-abc1c25487aaf2c68dcb21ba3575d7d5 .av-image-caption-overlay-center{\ncolor:#ffffff;\n}\n<\/style>\n<div  class='avia-image-container av-3r3kr-abc1c25487aaf2c68dcb21ba3575d7d5 av-styling- avia-align-center  avia-builder-el-20  el_after_av_image  avia-builder-el-last '   itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\" ><div class=\"avia-image-container-inner\"><div class=\"avia-image-overlay-wrap\"><img decoding=\"async\" class='wp-image-839 avia-img-lazy-loading-not-839 avia_image ' src=\"https:\/\/www.cristianobaggio.com\/art\/wp-content\/uploads\/2016\/08\/busto-da-gennaro.jpg\" alt='' title=''  height=\"300\" width=\"300\"  itemprop=\"thumbnailUrl\" srcset=\"https:\/\/www.cristianobaggio.com\/art\/wp-content\/uploads\/2016\/08\/busto-da-gennaro.jpg 418w, https:\/\/www.cristianobaggio.com\/art\/wp-content\/uploads\/2016\/08\/busto-da-gennaro-120x120.jpg 120w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/div><\/div><\/div><\/p><\/div><div class='av-flex-placeholder'><\/div>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-3eocr-e95ddbfad8ab28e80851996418305d07\">\n.flex_column.av-3eocr-e95ddbfad8ab28e80851996418305d07{\n-webkit-border-radius:0px 0px 0px 0px;\n-moz-border-radius:0px 0px 0px 0px;\nborder-radius:0px 0px 0px 0px;\npadding:0px 0px 0px 0px;\n}\n<\/style>\n<div class='flex_column av-3eocr-e95ddbfad8ab28e80851996418305d07 av_two_third  avia-builder-el-21  el_after_av_one_fifth  avia-builder-el-last  flex_column_table_cell av-equal-height-column av-align-top av-zero-column-padding '     ><style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-2x7hv-494c0aae9034a0e83b91d8a5739115bb\">\n#top .av_textblock_section.av-2x7hv-494c0aae9034a0e83b91d8a5739115bb .avia_textblock{\ncolor:#6d6d6d;\n}\n<\/style>\n<section  class='av_textblock_section av-2x7hv-494c0aae9034a0e83b91d8a5739115bb'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock av_inherit_color'  itemprop=\"text\" ><p><strong>Chi sono\u2026<br \/>\n<\/strong>Sono un\u2019organismo vivente, estremamente curioso e molto legato alla natura. Sono consapevole che la mia struttura biologica deriva da uno stretto legame di elementi matematici-geometrici, fisici e scentifici che consentono di regolare il mondo dell\u2019infinitamente piccolo e il mondo dell\u2019infinitamente grande. Come in tutti gli organismi conosciuti il tempo determina l\u2019Essere e il Divenire, anche nel mio caso, il mio \u201ccountdown\u201d \u00e8 inevitabilmente iniziato e mi sento, nella mia essenza di artista, portavoce pragmatico delle innumerevoli meraviglie che partecipano al grande disegno della vita. Occhi, organismi unicellulari procarioti, biomasse, esseri viventi complessi del mondo marino e terrestre\u2026 con un tempo di naturale trasformazione. La matematica e la geometria ci circondano ovunque, anche se in alcuni casi non riusciamo a individuare le loro forme caratteristiche, esse fanno parte di questo sistema creativo e inequivocabilmente rientrano nei miei progetti. Grandi autori del passato e del presente appartenenti a queste discipline mi aiutano a svelare, come in una scrittura crittografica, le regole di questo universo dove sento risiedere il mio \u201cIO\u201d pi\u00f9 profondo e la mia forma di energia. Tridimensionalit\u00e0 anche nella scelta della pittura: il colore acrilico stratificato in numerose velature d\u00e0 vita alle \u201cmie\u201d forme naturali, mentre una sottile lamina di metallo ossidato dai forti contrasti cromatici evidenzia il drammatico equilibrio iconografico dell\u2019opera. Nel corso del tempo un\u2019ulteriore ossidazione del metallo, libera d\u2019interagire con l\u2019ambiente circostante, produrr\u00e0 quel cambiamento caratteristico che \u00e8 insito in tutti gli organismi.<\/p>\n<p><strong><br \/>\nWho I am&#8230;<br \/>\n<\/strong>I am a living organism, an extremely curious one and one deeply devoted to nature. I am aware that my biological structure evolved from a strict relationship of elements: mathematical, geometrical, physical and scientific; a relationship that allows for the regulation of the infinitely small and the infinitely great things in life.\u00a0 As with all known organisms, time determines the &#8220;Being&#8221; and the &#8220;Becoming&#8221;.\u00a0\u00a0So, for me too, my \u201ccountdown\u201d has inevitably begun.\u00a0 In my essence as an artist I consider myself the pragmatic spokesman of the innumerable wonders that take part in the grand scheme of life. Eyes, single cell organisms, prokaryotes, biomasses, complex marine creatures and living things that crawl on the earth\u2019s surface\u2026 all these undergo a natural transformation over time. Mathematics and geometrics surround us constantly.\u00a0 Even if we are not always capable of determining forms and shapes, they are a vital part of this creative system and are unequivocal parts of my projects. The great artists of the past and present, from all walks of life, help me to reveal, in a cryptic message, the rules of this universe where I believe my deepest BEING lies and my true form of energy is to be found.Trimensionality permeates my paintings too.\u00a0 The acrylic layers in various shades give life to \u201cmy\u201d natural forms, while the thin oxidized metal coating with its strong chromatic contrasts highlights the dramatic iconic balance of the piece. Over time, another oxidization of the metal, which is left free to interact with the surrounding environment, will produce the characteristic change that is an instrinsic part of all organisms.<\/p>\n<div class=\"page\" title=\"Page 3\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<div class=\"page\" title=\"Page 3\">\n<div class=\"layoutArea\">\n<div class=\"column\"><strong>La metamorfosi e i segreti della natura<\/strong><br \/>\nOgni piccolo dettaglio negli esseri viventi non \u00e8 mai dovuto al caso ma alla straordinaria evoluzione che segue i principi geometrici-matematici delle simmetrie<\/p>\n<div class=\"page\" title=\"Page 5\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>Questa caratteristica che la natura ingloba nelle sue innumerevoli forme di vita di origine organica e non, ha catturato da sempre\u00a0il mio pi\u00f9 totale interesse.<br \/>\nNelle biomasse di origine marina si possono trovare delle alghe microscopiche, le diatomee e i radiolari, la cui origine viene datata a pi\u00f9 di 230 milioni di anni fa. Questi splendidi organismi preistorici presentano una morfologia strutturale simile ai gioielli: il loro guscio siliceo mirabilmente traforato con forma di dischi, ellissi, rettangoli, losanghe, triangoli \u00e8 simmetrico e questo in natura rappresenta\u00a0un codice di identi cazione e di comunicazione.\u00a0Anche loso greci come Pitagora e Platone, 2400 anni fa, descrivevano l\u2019origine della vita utilizzando come principio\u00a0la geometria del triangolo. Einstein era alla ricerca dell\u2019equazione che potesse rappresentare il \u201cTutto\u201d e la meccanica quantistica\u00a0ha dimostrato che l\u2019atomo e le particelle in infinitamente piccole\u00a0che lo costituiscono usano le simmetrie, le sequenze numeriche\u00a0di Fibonacci e la splendida spirale aurea, per rendere i loro legami pi\u00f9 stabili e duraturi.\u00a0Questo \u00e8 il mio mondo e queste sono le mie opere; un tributo\u00a0ed una interpretazione della stupefacente \u201cmacchina\u201d della natura.<\/p>\n<div class=\"page\" title=\"Page 4\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p><strong><br \/>\nMetamorphosis and the secrets of nature<br \/>\n<\/strong>Every single detail in nature is always the result of an extraordinary evolution that follows the rules of mathematical-geometrical symmetries. Nature incorporates these features in its myriad forms of organic-life, and this has always aroused curiosity. In biomass of marine origin, microscopic algae can be found; diatoms and radiolarians, whose origin dates back more than 230 million years ago. These beautiful prehistoric organisms have a structural morphology similar to jewelry, and their siliceous shells pierced with beautifully shaped discs, ellipses, rectangles, diamonds and triangles are symmetrical and this is a natural, universal code of identi cation and communication. 2400 years ago philosophers like Pitagora and Platone described the origin of life using the rules of a triangle\u2019s geometry. Einstein was in search of equation to represent the \u201cwhole\u201d. From quantum mechanics we have discovered that the atom and its in nitely small particles use this symmetry. Fibonacci number sequences and the beautiful golden spiral, making their bonds more stable and durable. This is my world and this is my work, a tribute to nature\u2019s amazing \u201cmachine\u201d.<\/p>\n<p><strong><br \/>\nBIOGRAFIA<br \/>\n<\/strong>Cristiano Baggio, nato a Treviso nel 1971, si diploma con il massimo dei voti al Liceo Artistico della sua citt\u00e0. Successivamente si specializza nel restauro di affreschi e opere lignee lavorando in questo ambito per un lungo periodo di tempo. Approfondisce personalmente gli studi dedicati alle opere di numerosi artisti, dagli storici ai contemporanei e parallelamente inizia un percorso dedicato all\u2019arte che lo vede partecipe in prima persona alla creazione di opere pittoriche che gi\u00e0 si svincolano dagli schemi convenzionali tradizionali. L\u2019eloquenza del segno, l\u2019equilibrio delle forme e la meticolosa lavorazione della materia si uniscono nelle sue grandi tele per descrivere le metamorfosi e le evoluzioni della natura. Numerose sono le mostre collettive e personali in ambito nazionale ed internazionale che lo vedono protagonista.<\/p>\n<p><strong>BIOGRAPHY<\/strong><br \/>\nCristiano Baggio was born in Treviso in 1971, he graduated from the art college in his home\u00a0town and then went on to specialize in art restoration, an area in which he worked for many years.\u00a0Cristiano was fascinated by the work of numerous artists (both classical and contemporary)\u00a0and his personal research into their life and work continued well after his college years.\u00a0Gradually Baggio sets out on a personal artistic journey which leads him away from traditional conventional schemes. The eloquence of the sign, the balance of forms\u00a0and meticulous processing of raw materials come together in his large canvases to describe the changes and the evolution of nature itself.\u00a0Baggio exhibits his work both in solo exhibitions\u00a0and many national and international group exhibitions.<\/p>\n<\/div>\n<p><strong><br \/>\nEXIBITION<\/strong><\/p>\n<p>2025<\/p>\n<p>-The Human in the deep ocean-(antropocene e plankton) evento organizzato da AIOL( associazione italiana di oceanologia e limnologia) presso la sala Boxe, Mole Vanvitelliana, ANCONA.<\/p>\n<p>2023<\/p>\n<p>-Washi- (in ricordo di Enrico Agostini) presso gli spazi espositivi di Villa Agostini, Giavera del montello(TV)<\/p>\n<p><span class=\"x193iq5w xeuugli x13faqbe x1vvkbs xlh3980 xvmahel x1n0sxbx x1lliihq x1s928wv xhkezso x1gmr53x x1cpjm7i x1fgarty x1943h6x xudqn12 x3x7a5m x6prxxf xvq8zen xo1l8bm xzsf02u x1yc453h\" dir=\"auto\">2021<\/span><br \/>\n&#8211; MicrOceano &#8211; Scuderie del Castello di Miramare. Evento per il Festival: <span class=\"x193iq5w xeuugli x13faqbe x1vvkbs xlh3980 xvmahel x1n0sxbx x1lliihq x1s928wv xhkezso x1gmr53x x1cpjm7i x1fgarty x1943h6x xudqn12 x3x7a5m x6prxxf xvq8zen xo1l8bm xzsf02u\" dir=\"auto\">MareDireFare&#8221;, <\/span>TRIESTE.<\/p>\n<p><span class=\"x193iq5w xeuugli x13faqbe x1vvkbs xlh3980 xvmahel x1n0sxbx x1lliihq x1s928wv xhkezso x1gmr53x x1cpjm7i x1fgarty x1943h6x xudqn12 x3x7a5m x6prxxf xvq8zen xo1l8bm xzsf02u x1yc453h\" dir=\"auto\">2018<\/span><br \/>\n<span class=\"x193iq5w xeuugli x13faqbe x1vvkbs xlh3980 xvmahel x1n0sxbx x1lliihq x1s928wv xhkezso x1gmr53x x1cpjm7i x1fgarty x1943h6x xudqn12 x3x7a5m x6prxxf xvq8zen xo1l8bm xzsf02u x1yc453h\" dir=\"auto\">&#8211; Corpi Vagabondi &#8211; Associazione Culturale Lazzari, TREVISO, a cura di Carlos Gabriel Coccia.<\/span><\/p>\n<p><span class=\"x193iq5w xeuugli x13faqbe x1vvkbs xlh3980 xvmahel x1n0sxbx x1lliihq x1s928wv xhkezso x1gmr53x x1cpjm7i x1fgarty x1943h6x xudqn12 x3x7a5m x6prxxf xvq8zen xo1l8bm xzsf02u x1yc453h\" dir=\"auto\">2017<\/span><br \/>\n&#8211; Tesori Nascosti &#8211; Spazio OpenDream, Area ex Pagnossin, TREVISO.<\/p>\n<p>2014<br \/>\n&#8211; Triennale Arti Visive &#8211; Universit\u00e0 La Sapienza, ROMA, a cura di Daniele Tedeschi &#8211; Achille Bonito Oliva.<\/p>\n<p>2013<br \/>\n&#8211; Ar(t)Cevia &#8211; International Art Festival, ARCEVIA (AN), a cura di Laura Coppa.<br \/>\n&#8211; Il Fantastico Differente &#8211; ARTgallery, PARMA, a cura di Massimo Sgroi.<br \/>\n&#8211; Berlin 4 &#8211; Reuss Galerie Auguststrasse 2\/a, BERLINO.<\/p>\n<p>2012<br \/>\n&#8211; Art Fiera Padova 9-12 Novembre 2012\u2028 &#8211; 23\u00b0 Contemporary ART Talent Show, Padova Fiere.<br \/>\n&#8211; LA Metamorfosi e i segreti della Natura -\u2028 Spazio Abitu\u00e8, TREVISO.<\/p>\n<p>2011<br \/>\n&#8211; Mostra Personale, Torre del Saracino di Gennaro Esposito &#8211; VICO EQUENSE (NA)<br \/>\n&#8211; Hagakure &#8211; Spazio GeckoOffice, TREVISO.<br \/>\n&#8211; Evolution \u2028- Sede Veneto Banca,\u2028 MONTEBELLUNA (TV)<\/p>\n<p>2009<br \/>\n&#8211; Mondi Paralleli &#8211; Evento collaterale alla 53\u00b0 Biennale di Venezia, Spazio Espositivo Scalamata, VENEZIA.<br \/>\n&#8211; Animali fantastici: Il Bestiario nell&#8217;Arte 2 &#8211; Palazzo Michiel, VENEZIA, a cura di Chiara Casarin.<\/p>\n<p>2008<br \/>\n&#8211; Animali fantastici: Il Bestiario nell&#8217;Arte 1 &#8211; Museo S.Caterina, TREVISO, a cura di Chiara Casarin.<\/p>\n<p>2007<br \/>\n&#8211; Opere diverse &#8211; Galleria Pezzella-Arte, TREVISO.<br \/>\n&#8211; Premio Celeste &#8211; Sezione pittura \u2013 SIENA.<\/p>\n<p>2006<br \/>\n&#8211; Armonico &#8211; \u2028Galleria Harmony Hall, ANTIGUA (Caraibi).<br \/>\n&#8211; 41\u00b0 Grolla D&#8217;oro (2\u00b0 class.)\u2028 C\u00e0 dei Carraresi, TREVISO.<\/p>\n<p>2005<br \/>\n&#8211; Resistenza &#8211; \u2028Museo del Cenedese, VITTORIO V.TO (TV).<\/p>\n<p>2004<br \/>\n&#8211; La Sezione Aurea -\u2028 Spazio d\u2019arte Villa Agostini, TREVISO.<br \/>\n&#8211; Pensieri senza tempo &#8211; \u2028Relais Monaco, TREVISO.<\/p>\n<p>2003<br \/>\n&#8211; Energia 2 \u2028- Centrale idroelettrica di Nove, VITTORIO V.TO (TV).<\/p>\n<p>2002<br \/>\n&#8211; Il fuoco intorno -\u2028 Casa Gaia da Camino, PORTOBUFFOLE&#8217;, (TV).<br \/>\n&#8211; Segno+Materia \u2028- Spazio d\u2019arte Veneto Banca, TREVISO.<br \/>\n&#8211; In fondo l\u00e0&#8230;3-7-11&#8230;Immagini di natura, \u2028MODENA.<\/p>\n<p>2001<br \/>\n&#8211; Giovani Artisti Trevigiani &#8211; \u2028Palazzo Podest\u00e0, TREVISO.<br \/>\n&#8211; Presenze &#8211; \u2028C\u00e0 dei Carraresi, TREVISO.<br \/>\n&#8211; Tauromachia &#8211; \u2028Galleria Stufenbau, BERNA (Svizzera)<\/p>\n<p>2000<br \/>\n&#8211; Virtualemare &#8211; \u2028Galleria Stufenbau, BERNA (Svizzera)<br \/>\n&#8211; Il sacro nell&#8217;arte contemporanea &#8211; \u2028MOTTA di LIVENZA, TV<\/p>\n<p>1999<br \/>\n&#8211; Trib\u00f9 &#8211; \u2028Spazio d\u2019arte, BARCELLONA (Spagna)<br \/>\n&#8211; Giovani Artisti Trevigiani &#8211; \u2028Palazzo Podest\u00e0, TREVISO.<br \/>\n&#8211; Premio Nazionale di Pittura &#8211; \u2028CONEGLIANO V.TO (TV).<\/p>\n<p>1998<br \/>\n&#8211; Figure &#8211; \u2028Spazio Espositivo, TREVISO.<\/p>\n<p>1994<br \/>\n&#8211; 1\u00b0 premio critica &#8211; Premio Bagatino, TREVISO.<\/p>\n<p>1992<br \/>\n&#8211; Art-Movie &#8211; \u2028Spazio d\u2019arte Nec-Ente, TREVISO.<\/p>\n<div class=\"column\"><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/section><\/div><\/div><!--close column table wrapper. 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